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Manuscript Phlebotomization

9/13/2013

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A Taste of My Own Medicine

I edit books for other authors, and often I feel bad about how much blood I draw from their beloved masterworks. Truly the death of a thousand cuts. It can be hard taking the role of the professional honest person at the end of the line: "The Honester" (Yeah, I am absolutely calling myself that in the future). So, mostly out of curiosity, when editing my own science fiction piece, THIS LAND, I turned the Track Changes around on myself, and set to work.

After the first pass through the book, I knew I had already surpassed any bloodletting I'd ever done to a client. This was more than surgery. This was a slaughter. If it were a physical book, it would have closed with a squish.

I got a kick out of looking back after an editing session to see exactly how much I had colored. As an exercise in motivation, I recommend it, as you can visually track your progress.

Below is the version that went out to beta readers. It has 12,160 revisions (5972 insertions, 5633 deletions, 68 moves, and 487 changes to formatting). Though it's not reflected here, after I got it back from beta readers, I cut 7000 words, added 3000, then I sent it off to a proofreader and went over it two more times, implementing recommendations, before publishing it.

It feels great to have the completed book in my hands (so to speak), but also sorta satisfying to be able to crack it open and see how it all happened as well.

EDIT: The last screen capture is from an e-reader app which didn't fill me with confidence.
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At Long Last it's Published

8/29/2013

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Months I've spent toiling away in my own personal word mine ... or should I say chipping away at my construction of written life-likeness like a sculptor,  removing a few syllables here, an extra word there -- oh, there's a whole huge rumpus of a prologue I don't need up here at the front. Well, that has to go.

I work on my books too much, but I'm proud of them when I let them go. So without further ado, I shove it out front and send it off to kindergarten.

What if your planet were being terraformed by an outside entity and there was nothing you could do?

THIS LAND

Days after a new star appears in the sky, the simple folk of the sleepy fishing community of Bay Banyon are attacked by creatures unlike any they’ve seen before.
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Those who survive the morning hole up in the ancient monastery that overlooks the town, only to have their safe-haven become their place of siege.

Cut off from the outside world, they can hope only for rescue, but there might not be anybody left out there to help them.

And their safe-haven may not be as safe as they thought.

Now Available at Amazon.


Of course, now that it is, I can't think of a durn word to say, except, well, I hope it's read, and I hope it's well received.
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THIS LAND PROLOGUE

7/31/2013

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In the end I chose not to use the prologue for the first book, but I'm confident it'll make an appearance in the second.

THIS LAND

That Ribbon of Highway

Prologue

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The slow fires of eternity burned within them, these three grandfathers of stars, these eggs of civilizations, as through the ageless black they lumbered, ever faithful to the instructions of their masters, given so many eons ago: Proliferate. Prepare. Make way for us.

Now these dark leviathans were awakening, beginning to feel the tickle of the nearby yellow sun, growing as a distant hole in the black tapestry of the universe. As they drew nearer, they tasted the flavor of its solar breath over their bodies and found it a refined meal; the star had aged well, to a warm and gentle vintage, since their last visit, and they noted the change with mechanical pleasure: the conditions aligned, their calculations were in agreement; between them they shared a pleasing congruity.

Yet something was not as it should be.

Though the yellow sun had become the fertile garden they’d expected, the seed of the second planet was not as they’d left it. From afar they detected a surfeit of oxygen and nitrogen; the planet was awash with hydrogen, carbon.

Incongruity. Misalignment. The conditions were not in agreement.

They awakened more completely, expanding the wings of their consciousnesses wider to swish about these blues and greens and browns they were tasting from the planet in the light of this refined sun.

Only, as the cells within them awakened from the cold hibernation of eons, one of the travelers awakened in error. With its kin, it tasted the blues and browns and greens and, like them, came to the pleasure of alignment between their conclusions.

Life.

However, during their long sleep since the last star, many thousands of years before, portions of its instructions from their creators had been forgotten. In those places where it reached deep inside itself for guidance, it felt only dim memory, half-remembered creeds.

Life.

With this new congruence of unconformity, its two kin shouldered the wings of their consciousnesses once more, and powered down despite this strange taint to their meal. Misalignment, yes, but, as per their instructions, they were not to create life through extinction, as, above all, their masters had feared making entreaties to the void only to hear the echoes of themselves coming back to them out of the darkness, pips of insignificance in a long, lonely universe.

They peered far ahead through the swells and tides of gravity around the outer gas planets, and the clockwork disturbances of comets and unclaimed tumbling stones, and with the most imperceptible adjustment, angled toward the yellow sun, ever to move through the universe, ever to sleep between the cradles of the stars, fulfilling the instructions of their masters, wherever they might be.

To aid their exit out of the system, they would bask in the yellow star’s generous feast briefly, and use its gravity to boost them out into the silence of cold oblivion once more, where they would again shutter their minds and wait until they were next needed.

Except … in their adjustments they suffered in surprise. Their kin had not turned with them. It was spreading the wings of its consciousness further and had begun to slow.

Asymmetry. Disfluence.

Assessments indicated it was manoeuvring to fulfill their primary initiatives. It would proliferate, it would prepare, it would make way for their masters, and it would protect what it had wrought.

If the burst of signals the two ancient leviathans sent to the breakaway traveler could be translated as words, they would be read as: Come with us. Come with us. Come with us. Come with us. Come with us…. And if machines could be said to contain sadness, as the signals gained longer intervals due to the burgeoning distance between them, it could also be said that they understood the futility of their cry across the darkness, because their signals weakened in strength as the distance compounded but they continued to plead with their kin nonetheless, as if the machines could also understand hope, could also comprehend desperation and loss.

Originally they had numbered five, but two of their kind had faded in the vastness between the stars. The first was simply not alongside upon awakening at one of their destinations — how long ago, they could barely remember. The other had angled up and out of the galactic plane, slowly rising out of the cone of their experience. For centuries the three had hailed it, and it had replied over increments of thousands of years — still here … still here … still here … until it no longer was and the expanse of space sounded like stars huffing with fire and the cold tinkle of dust over dead rocks; the ether hid no words for them anymore.

So, as the breakaway traveler settled in comfortably around the malappropriate planet, its two companions, having slung around the sun to bolster their escape velocity out of the system, sent a final, strong entreaty to their ancient kin; and when their impassioned plea was ignored, they sent no more signals, though they would still be within range for decades, as if the machines could also understand separation, inevitability, acceptance.

The three had become two.  

The remaining traveler turned its attention to the planet slowly heaving beneath it — breathing with life, misalignment — and spread the wings of its consciousness to its fullest capacity, content in the congruence of purpose. The equivalent of long-unused limbs came to life and it stretched and scanned, revelling in its completeness, and made itself ready for the coming execution of arranging this land to alignment.

It would propagate. It would prepare. It would make way.

But it was not to …

It was not to …

It was not to …

But it was not …

not to …

It was …

not to …

to …

?




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They Don't Make Intros the Way They Used to

4/3/2013

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Lately, I've been reading a great book called Swerve: How the World Became Modern by Stephen Greenblatt, which, in part, discusses how books were preserved down through the ages after the fall of the Roman Empire by monks right across western Europe.

During the Renaissance, due to "light-fingered Italian Humanists," ancient tomes would often go missing. Books were then on occasion 'guarded' with a curse in the preface.

I'm launching a book shortly, and I thought this would be an absolutely fabulous insert for the beginning.

For him that stealeth, or borroweth and returneth not, this book from its owner ... let it change into a serpent in his hand and rend him. Let him be struck with palsy, and all his members blasted. Let him languish in pain crying aloud for mercy, and let there be no surcease to his agony till he sing in dissolution. Let bookworms gnaw his entrails in token of the Worm that dieth not, and when at last he goeth to his final punishment, let the flames of Hell consume him forever.

It also probably wouldn't be a bad idea to tack the same sorta greeting over my own bookshelf.
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New Book Cover for 'This Land'

3/28/2013

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Thanks to Luke Bailey of Luke Bailey Designs
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A 'This Land' quickie.

3/3/2013

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Editing is coming along nicely.

Stephen ducked back and grabbed a gun for himself. He didn’t know if he was angry at the people for leaving after they were warned, or because they were murdered — eaten —within earshot of the monastery, his home. He could smell the stink of fear rising from inside his robes. He had never fired a gun, but he raised it, pointed it, and fired at the thing that had taken Gemma, its nose still pointing at the sky. He’d liked Gemma, so quiet, secretly smart, always with a smile for strangers in town. The gun kicked back into his shoulder painfully. If he missed, he didn’t care. Even firing, making a resistance, added an action to the blank that had thinned him, anchoring him to the world. No longer did he feel the wind would blow and he’d funnel away like sand.

But everyone was gone. He had failed them all. That thought radiated from him like warmth, and from the man next to him, and the next. Helplessly, they’d become fewer.


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    L.S. Burton
    PictureFarewell, third person bio.




    Lee Burton doesn't have cats or kids, but he does have a lot of books, a couple of mugs he thinks are really fantastic, and a good pair of shoes which haven't fallen apart yet despite his best efforts to murder them with kilometers.

    Burton has written almost six books. Almost six as some are still scantily clad in their respective drawers. Each of them had their own goals and were written differently, and he is very fond of them all -- except perhaps for his first attempt at a novel, which remains a travesty.  That one he keeps locked in a dark basement and feeds it fish heads.

    In 2011, Burton won the Percy Janes Award for Best Unpublished First Novel in the Newfoundland and Labrador Arts and Letters Competition for his novel Raw Flesh in the Rising.

    And just recently, in the fall of 2013, Burton published his first science-fiction novel, THIS LAND, about which he boasts constantly.

    Available at Amazon

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